New interview and more

First! Brian Lillie asked me lots of great questions for his blog 31 Hath October.  Check out my answers (well, plus his questions) here!

Next! I wrote a chapter on “Finding Your Voice” in Writers on Writing, vol. 4, edited by Joe Mynhardt over at Crystal Lake Publishing. It’s an ebook available on Amazon and is out now.

And! If you are looking for some great horror stories to read, Adam Nevill offers up a list over at The Quietus, including my story “The Dying Season” from Aickman’s Heirs and lots of other great stuff.

The Old Roads and Other Stories

First of all, I am delighted to say that my story “The Old Roads” is up at the Burrow Press website, where you can read it for free. It’s the start of their Month of Horrors, which will bring you a new horror story every Tuesday for the rest of the month, so be sure to check back for the rest of the fiction that editor Teege Braune has lined up for you. Speaking of Teege, he is a wonderfully insightful editor and was a joy to work with.

Now, onto other stories!

“The Seventh Wave,” which was originally published in Paul Finch’s Terror Tales of the Ocean, has been reprinted in Undertow Press’s Year’s Best Weird Fiction vol. 3 and it’s available now in hardback or softcover from Amazon or from Undertow Press themselves. The guest editor this time around was Simon Strantzas.

Also, just a reminder that the anthologies Something Remains, a tribute to/collaboration with Joel Lane published by Alchemy Press, launched at Fantasycon (which was brilliant! amazing! Best FCon since Brighton 2012!) as did Newcon Press’s Ten Tall Tales, and both are also available now.

 

Ten Tall Tales

book_10_tall_tales

(and ten limericks, courtesy of Ramsey Campbell)

It is the tenth anniversary of NewCon Press, which is a very fine small press indeed run by Ian Whates. In celebration, NewCon has been releasing a series of publications including this one–in which we were asked to write a story of dark fantasy or horror that incorporated something about the number ten. Just look at that terrific lineup! My story, “One Little Mouth to Kiss You Goodnight” is in there along with ten other excellent writers (nine stories plus ten limericks from Mr. Campbell). It will be launched at the British Fantasy Convention (with wine!), but if you can’t attend, fear not. It’s also available for pre-order at the NewCon Press website.

New collection: You’ll Know When You Get There

grande_youllknow1

I am delighted to announce that my second short story collection, You’ll Know When You Get There, is now available for pre-order from Swan River Press. This is a limited edition of only 400, so buy early and often before they are all gone!

I was fortunate enough to get a lovely introduction from Lisa Tuttle, a writer whose own stories have been very influential for me, and the cover art is by Savannah artist Tobia Makover–I love Tobia’s haunting photographs, go check them out for yourself!

I’ve also been interviewed about the book by the very fine writer (and fellow Shirley Jackson Award winner for 2015) Steve Duffy. You can read that over at the Swan River Press site as well.

The book will be officially launched in August at the Dublin Ghost Story Festival, where I will be a guest along with a whole slew of luminaries.

 

Something Remains: A tribute to Joel Lane

something-remains-a002

Last year, Peter Coleborn of the award-winning Alchemy Press contacted me about a project he was working on with Pauline E. Dungate that I couldn’t possibly have said no to: an anthology based on some of the unfinished work of the British writer Joel Lane. After Joel’s untimely death in 2013, his loved ones found that he had left a lot of fragments behind. Those of us working on the project were sent scans of the manuscript fragments to choose from, and I selected a fragment called “The Other Side.” What I had to work with were two handwritten pages, one partly notes and prose and the second all prose based on the notes of the previous. I used Joel’s second page of prose almost exactly as it appeared and built my own Lane-esque story around it.

It was an enormous honor to work on this and also an extremely moving experience. I had selected the fragment that spoke to me the most personally, and worked hard to get into a mindset that would produce a story that was truly a collaboration between Joel and me. As someone who had only a passing acquaintance with Joel personally (but who has loved his work since the 1990s), it was surprising how close I felt to him over the course of writing the story. I do not literally believe that I was visited by some spirit in the process of writing it, but I absolutely felt his presence and influence throughout. I was happy with the result–not something that I always feel on completing a story–and I hope Joel would be as well. Above all, I hope his friends and those who admired his work think I have done a decent job in acting as his collaborator.

Something Remains will launch at the British Fantasy Convention in September, and copies will be available there and through Alchemy Press. No one is making any money from this effort; all proceeds will be donated to Diabetes UK in memory of Joel.

I’m sharing the table of contents with a number of talented writers, many of them close friends of Joel’s:

  • Foreword by Peter Coleborn
  • Introduction by Pauline E. Dungate
  • Not Dispossessed:  A Few Words on Joel Lane’s Early Published Works by David A. Sutton (Essay)
  • Joel by Chris Morgan (Verse)
  • Everybody Hates a Tourist by Tim Lebbon
  • The Missing by John Llewellyn Probert
  • Charmed Life by Simon Avery
  • Antithesis by Alison Littlewood
  • Dark Furnaces by Chris Morgan
  • The Inner Ear by Marion Pitman (Verse)
  • Broken Eye by Gary Mcmahon
  • Stained Glass by John Grant
  • Threadbare by Jan Edwards
  • The Dark above the Fair by Terry Grimwood
  • Grey Children by David A. Sutton
  • The Twin by James Brogden
  • Lost by Pauline Morgan (Verse)
  • Through the Floor [1] by Gary Couzens
  • Through the Floor [2] by Stephen Bacon
  • Bad Faith by Thana Niveau
  • Window Shopping by David Mathew
  • Clan Festor by Liam Garriock
  • Sweet Sixteen by Adam Millard
  • Buried Stars by Simon Macculloch
  • And Ashes in Her Hair by Simon Bestwick
  • The Pleasure Garden by Rosanne Rabinowitz
  • Joel Lane, Poet by Chris Morgan (Essay)
  • The Reach of Children by Mike Chinn
  • The Men Cast by Shadows by Mat Joiner
  • The Winter Garden by Pauline E. Dungate
  • Natural History by Allen Ashley
  • The Second Death by Ian Hunter
  • The Bright Exit by Sarah Doyle (Verse)
  • Blanche by Andrew Hook
  • The Body Static by Tom Johnstone
  • You Give Me Fever by Paul Edwards
  • The Other Side by Lynda E. Rucker
  • Of Loss and of Life: Joel Lane’s Essays on the Fantastic by Mark Valentine (Essay)
  • Shadows by Joe X Young
  • I Need Somewhere to Hide by Steven Savile
  • Coming to Life by John Howard
  • The Enemy Within by Steve Rasnic Tem
  • Afterword: The Whole of Joel by Ramsey Campbell (Essay)

Shirley Jackson Award–Best Short Story

IMG_1056

So, while I was sitting on a beach in Whitstable enjoying a beer on Sunday, I found out I had won the Shirley Jackson Award for Best Short Story for my story “The Dying Season” that appeared in Aickman’s Heirs, edited by the fabulous Simon Strantzas and published by Mike Kelly’s Undertow Publications. This is an amazing honor, as was the original nomination–I genuinely did not expect to win and am just thrilled to have done so. Also, the anthology itself won the Best Anthology award.

The rest of the lineup of winners is amazing–Best Novel to Gemma Files for Experimental Film, Best Novella to Liz Hand for her wonderful Wylding Hall, Best Novelette to my compadre Steve Duffy for “Even Clean Hands Can Do Damage” from Supernatural Tales, and Stephen King for best single-author collection with The Bazaar of Bad Dreams. But as you’ll see from the link above, the nominees themselves were equally impressive (the novella category being a particularly tough one this  year).

I’ve never even been nominated for an award before, so to be nominated and win all in one fell swoop the genre award that is perhaps the one I hold in highest regard is just, well, massive. I’m very happy. Now go and read all my fellow nominees and all the other wonderful stuff on that shortlist, because it truly demonstrates the literary skill and depth of so many people writing dark fiction today.

The following day, Aickman’s Heirs also received a World Fantasy Award nomination for Best Anthology, as did another anthology I’m in, Cassilda’s Song, while Selena Chambers’s story from that same volume, “The Neurastheniac,” was nominated for Best Short Story. A good few days for awards and award nominations!

aickman1-200x300

cha6064__34683.1452279905.1280.1280

 

Shirley Jackson nomination

Hey! I am remiss in announcing this news here, but I’ve been nominated for a Shirley Jackson Award for my short story “The Dying Season” from Aickman’s Heirs! I was super excited to be included in this book in the first place because Aickman is one of my primary influences and because it is such a terrific book with excellent contributors, edited by Simon Strantzas and published by Mike Kelly over at Undertow Publications. And furthermore, Shirley Jackson is another one of my biggest influences and this is probably the genre award I have most coveted and admired in recent years.

You can see a full list of the nominees here. The awards will be announced on July 10 at Readercon in Massachusetts, but after publishing fiction for 17 years with nary an award nomination in sight, I can truly say that it really is a huge honor just to be nominated.