My weird dark shadow and a new short story

A couple of weeks ago, I participated in an author’s panel on Zoom moderated by Kate Jonez of the publishing company Omnium Gatherum. Unlike many people, I have been slow to warm up to Zoom in These Pandemic Times, but I really enjoyed chatting with my fellow authors Simon Bestwick, Tom Johnstone, and Mark Kirkbride. I am a weird dark shadow because of (redacted for boring) issues getting up and running and didn’t set my lighting properly! The panel was partly to celebrate the release of novellas by Johnstone and Kirkbride, Star Spangled Knuckle Duster and The Plot Against Heaven respectively, but our conversation was wide-ranging. I actually found it a bit difficult to do a panel without an audience–there’s no sense of whether you’re going on too short or too long, whether or not you’re engaging people!

All of us on the panel are Omnium Gatherum alumni in one way or another. A few years ago, Omnium Gatherum published Simon Bestwick’s novella Angels of the Silences (see my blurb at the link!) and a story by me, “The Receiver of Tales,” appeared in the Omnium Gatherum anthology Little Visible Delight in 2013 (later reprinted in my short story collection You’ll Know When You Get There).

Sisterhood Twitter

Speaking of short stories, my story “The Anchoress” will appear in a forthcoming anthology from Chaosium, Sisterhood: Dark Tales and Secret Mysteries. This features an exciting lineup that includes Alison Littlewood, Lisa Morton, Kaaron Warren, S.P. Miskowski, Livia Llewellyn, Nadia Bulkin, Gemma Files, Damien Angelica Walters and many more.

a chat with Timothy J. Jarvis for Swan River Press

As you may know, Dublin’s Swan River Press publishes an unthemed anthology of strange and unsettling fiction known as the Uncertainties series, and I had the pleasure of editing volume 3. The talented Timothy Jarvis was the editor of Uncertainties 4, and after many delays, pandemic-related and otherwise, Tim and I sat down, virtually speaking, and had a chat about the editing process, the book and many other things. We are quite simpatico in many ways in how we approach this type of fiction, and while we’ve been acquainted in real life for several years, I don’t think we’ve ever appeared together on a panel chatting about this sort of thing, which I would absolutely love to do. Till then, here’s my interview with him in which our topics range from David Lynch to Arthur Machen, surrealist cinema to Alberto Manguel to the destabilizing effects of the pandemic and more. I hope you enjoy it as much as I did!

Links to buy:

Uncertainties volume 1, edited by Brian Showers

Uncertainties volume 2, edited by Brian Showers

Uncertainties volume 3, edited by Lynda E. Rucker

Uncertainties volume 4, edited by Timothy J. Jarvis

a pandemic update

Spring cleaning (can we call it that if it’s already June?) Shocking, the layer of dust that’s grown around here after just a few months away. Let us briefly acknowledge that the world has been on fire lately and that this is one of several reasons for my lengthy absence from this space. On the plus side, expect to see me around here a lot more.

Stories are still being told! In April, PS Publishing released Apostles of the Weird, edited by S.T. Joshi, which includes my story “This Hollow Thing.” Here’s the entire lineup.

  • Death in All Its Ripeness by Mark Samuels
  • Introduction by S. T.  Joshi
  • Sebillia by John Shirley
  • Come Closer by Gemma Files
  • Widow’s Walk by Jonathan Thomas
  • The Walls Are Trembling by Steve Rasnic Tem
  • Trogs by Nancy Kilpatrick
  • The Zanies of Sorrow by W. H. Pugmire
  • This Hollow Thing by Lynda E. Rucker
  • The Outer Boundary by Michael Washburn
  • Black Museums by Jason V Brock
  • The Legend of the One-Armed Brakeman by Michael Aronovitz
  • Lisa’s Pieces by Clint Smith
  • Everything Is Good in the Forest by George Edwards Murray
  • Three Knocks on a Forsaken Door by Richard Gavin
  • The Thief of Dreams by Darrell Schweitzer
  • Axolotl House by Cody Goodfellow
  • Night Time in the Karoo by Lynne Jamneck
  • Porson’s Piece by Reggie Oliver
  • Cave Canem by Stephen Woodworth

Announced and due to be released later in the summer is Crooked Houses edited by Mark Beach at Egaeus Press.  This includes my story “Miasmata” along with stories by Helen Grant, Reggie Oliver, Steve Duffy, Mark Valentine, Rebecca Lloyd, Carly Holmes, John Gale, Richard Gavin, Rebecca Kuder, Albert Power, James Doig, Katherine Haynes, Colin Insole, David Surface, Jane Jakeman and Timothy Granville. A haunted house anthology, but one that looks back beyond the cozy ghost story to stranger, more atavistic hauntings.

Prisms

The image you see above is the cover art for Prisms by the excellent Ben Baldwin, a science fiction anthology edited by Michael Bailey and Darren Speegle that includes my story “Encore for an Empty Sky.” This will be available for pre-order from PS Publishing shortly. Here’s the full lineup:

“We Come in Threes” by B.E. Scully
“Encore for an Empty Sky” by Lynda E. Rucker
“The Girl with Black Fingers” by Roberta Lannes
“The Shimmering Wall” by Brian Evenson
“In This, There Is No Sting” by Kristi DeMeester
“The Birth of Venus” by Ian Watson
“Fifty Super-Sad Mad Dog Sui-Homicidal Self-Sibs, All in a Leaky Tin Can Head” by Paul Di Filippo
“Rivergrace” by E. Catherine Tobler
“Saudade” by Richard Thomas
“There Is Nothing Lost” by Erinn Kemper
“This Height and Fiery Speed” by A.C. Wise
“The Motel Business” by Michael Marshall Smith
“Everything Beautiful Is Also a Lie” by Damien Angelica Walters
“The Gearbox” by Paul Meloy
“District to Cervix: The Time Before We Were Born” by Tlotlo Tsamaase
“Here Today and Gone Tomorrow” by Chaz Brenchley
“The Secrets of My Prison House by J Lincoln Fenn
“A Luta Continua” by Nadia Bulkin”
“I Shall but Love Thee Better” by Scott Edelman

Also, I was interviewed in Phantasmagoria Magazine! You can pick up a copy on Amazon.

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Here’s a fun little project I had the opportunity to take part in a couple of months ago along with some friends to promote the new book of another friend, Rob Shearman. Rob is a terrific writer and a lovely guy, and in April, PS Publishing released a three-volume set of 101 short stories by him with illustrations by the ridiculously multi-talented Reggie Oliver (actor, writer, artist). Jim McLeod, the mad Scotsman behind the site Ginger Nuts of Horror, conspired to have dozens of us write short review of one or two stories each from the book, and you can check them out here (I’m in part four).

I was also honored to write an introduction to David Surface‘s debut short story collection, Terrible Things, out now from Black Shuck Books. If you subscribe to Black Static (and if you love horror fiction, you should) you may know David from his “One Good Story” column that he writes there, or you might recognize him from appearances in various anthologies.Terrible Things is a terrific debut, and you should check it out.

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Last but by no means least, fans of British horror cinema (or critic David Thomson’s Suspects) might want to check out England’s Screaming by Sean Hogan, a book with the conceit that a link runs through the characters and happenings in British horror films to a diabolical end. Part short story collection, part film criticism, part secret “history” of post-war Britain, England’s Screaming is a vicious romp even if you don’t know all the films (I didn’t). For a taste of the madness, you can read a bonus vignette at Sean’s blog here and the book’s introduction by writer, critic and actor Jonathan Rigby here. There’s also a novella-length sequel, Three Mothers, One Father, that tackles Eurohorror, and you can pick it up over at Black Shuck Books. You can also check out some additional terrific book recommendations from Sean at Kendall Reviews (which is partnered with PS to offer 10% off England’s Screaming for June), an interview and a review of England’s Screaming at Diabolique, and an interview at the Britflicks podcast.

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Wherever you are in this absolutely mad world we have found ourselves in, truly through the looking glass, I hope you and your loved ones are safe and well and have found some wonderful stories as a temporary respite.

a few items of possible interest

First, there is a lovely review of my second collection, You’ll Know When You Get There, at the site “See the Elephant,” written by Paul St.John Macintosh. You can, of course, purchase You’ll Know When You Get There from its publisher, Swan River Press.

Second, my Shirley-Jackson Award-winning story, “The Dying Season,” has been reprinted at Nightmare Magazine, where you can read it for free. I strongly suggest that if you like the story, you should buy the anthology it appears in, Aickman’s Heirs, which also won the Shirley Jackson and is one of the best anthologies I’ve read. (It’s available on Kindle as well.) Oh! And there is also an interview with me, largely about the story, at the same site.

Third, the writer David Surface has written a lovely piece on his blog feature, “One Great Story,” about one of my early published stories, “These Things We Have Always Known.”

Fourth, I’ve written a couple of pieces about other writers for Women in Horror month. Check out the list of recommendations at Mark West’s Women in Horror mixtape, and over at the Ginger Nuts of Horror, Jim Mcleod asked me to write about a woman horror writer who’d influenced me in the past and also a newer one that I would recommend.

New interview and more

First! Brian Lillie asked me lots of great questions for his blog 31 Hath October.  Check out my answers (well, plus his questions) here!

Next! I wrote a chapter on “Finding Your Voice” in Writers on Writing, vol. 4, edited by Joe Mynhardt over at Crystal Lake Publishing. It’s an ebook available on Amazon and is out now.

And! If you are looking for some great horror stories to read, Adam Nevill offers up a list over at The Quietus, including my story “The Dying Season” from Aickman’s Heirs and lots of other great stuff.

New collection: You’ll Know When You Get There

grande_youllknow1

I am delighted to announce that my second short story collection, You’ll Know When You Get There, is now available for pre-order from Swan River Press. This is a limited edition of only 400, so buy early and often before they are all gone!

I was fortunate enough to get a lovely introduction from Lisa Tuttle, a writer whose own stories have been very influential for me, and the cover art is by Savannah artist Tobia Makover–I love Tobia’s haunting photographs, go check them out for yourself!

I’ve also been interviewed about the book by the very fine writer (and fellow Shirley Jackson Award winner for 2015) Steve Duffy. You can read that over at the Swan River Press site as well.

The book will be officially launched in August at the Dublin Ghost Story Festival, where I will be a guest along with a whole slew of luminaries.

 

Interview with Steve Rasnic Tem

I’ve been reading Steve Rasnic Tem for two decades, and so when I learned he would write the introduction to my first short story collection, The Moon Will Look Strange, I was overjoyed. I was equally pleased to have the opportunity to interview him in connection with his latest collection from Swan River Press, Here with the Shadows, which is available now for pre-order and shipping next month. I got the opportunity to ask him about specific stories and themes in the book, his own approach to writing such powerful and moving fiction, and his personal history among other things. His responses were terrific, and very enlightening. You can find the interview here at the Swan River Press website, and while you’re there, take a look around at some of the other books and chapbooks for sale.

comics and podcasts and worldcons oh my

Some news:

First thing: The next meeting of Laydeez Do Comics Dublin will be on Wednesday, September 11, 2013 at the Odessa Club at 7 PM. If you like or do comics, zines, illustrations, or just enjoy interesting and engaging talks, please join us!

Second thing: Maura McHugh and I were interviewed about Laydeez Do Comics by Liam Geraghty of The Comics Podcast. There are lots of other interesting topics discussed there as well including the documentary Wonder Women: The Untold Story of American Superheroines, which I saw last month here in Dublin and highly recommend even if you are not a Wonder Woman or superhero(ine) fan (I am neither).

Third thing: Always wanted to visit Ireland? Here’s your chance. How does a pre-bid announcement to hold the World Science Fiction convention in Dublin in 2019 sound?